Result of the 8th Chalachitram National Film Festival – 2024

Result of the 8th Chalachitram National Film Festival – 2024

Result of the 8th Chalachitram National Film Festival – 2024

CNFF 2024 Competition Category for North East Section

1. Prayojan
2. The Butcher
3. Wrong Number
4. Journey with a Dance form
5. Birubala – the Crusader
6. Aadi Shakti Maa Kamakhya
7. Heaven on the Earth
8. A Sylvan Saga
9. Rising Sun birds
10. The Caretaker
11. Missing Cuisine
12. Teens of 1942

CNFF 2024 Official Selection of North East section for Screening (out of competition) only:

1. Being Bald
2. Garishali
3. Bichitra
4. Destination
5. Ekaki

CNFF 2024 Competition Category for Rest of India Section:

1. My National Flag
2. Shashwatam
3. Jaswandha
4. Nimbu Mirchi
5. Tiny World
6. A Letter to my Home
7. Sundarban
8. Bhookh
9. Yes Sir
10. Multi
11. The Waiting
12. Minus
13. Uma
14. The Village of Masks
15. Promise
16. Rainbow Classroom
17. Bin Boy
18. The Last Talk

CNFF 2024 Official Selection of Rest of India Section for Screening (out of competition) only:

1. Gods of Clay
2. Reserve Women Right
3. Rah me unse
4. Sagavaram
5. Dennis and his kambala buffalo
6. Little Explorer
7. Air Pollution
8. Blackhole
9. I am not Down
10. Khera-the Laksmi of Chilika
11. Windermen Ki Ramleela
12. Status
13. Proff of the Soul
14. Manvi

Due to some unavoidable circumstances the festival dates have been postponed to 26th and 27th October 2024 instead of 14th and 15th September 2024.

The Last Generation selected for Jharkhand festival

The Last Generation selected for Jharkhand festival

The Last Generation, an Assamese documentary film, has been selected for the Jharkhand International Film Festival and Awards, which will be held in Itanagar, Arunachal Pradesh.

Directed by Prabal Khaund and produced by Gopal Jalan and Dhruvajyoti Kakoti under the banner of Jalan Films, The Last Generation explores the traditional Yaping Hulo and Tipe practices of the Apatani community in Arunachal Pradesh, which are now on the verge of extinction. The documentary focuses on how only a few elderly women continue to adorn these practices today. Once they pass away, these traditions will be lost forever, forming the film’s core theme and hence the title, The Last Generation.

Director Prabak Khaund says- ‘As the director of this documentary project, my mission is to capture the essence of the endangered tradition of Yapping hullo and Tippe practised by the Apatani people of Arunachal Pradesh’s Ziro Valley. It is a race against time to preserve this fading cultural heritage before it becomes obscurity. Through storytelling and visual documentation, I aim to showcase the significance of these rituals and the profound impact their extinction would have on the Apatani community. The few remaining elderly women who still know Yapping Hullo and Tippe are the last threads connecting us to this ancient tradition. By immersing viewers in their stories and experiences, I hope to raise awareness about the importance of cultural preservation. This documentary is a tribute to the resilience and beauty of the Apatani culture.’

Notably, this festival, organised by the Arunachal Pradesh Tourism Department, will be held in September in Itanagar. The documentary has already been selected for various festivals, such as the Durgapur International Film Festival, Nawada International Film Festival, International Film Festival of Shimla, Pune Short Film Festival, and Kerala’s International Documentary and Short Film Festival.

Prabal Khaund and Meenakshi Deka wrote the screenplay for The Last Generation. The film was shot in and around Ziro, where the Apatani community resides.

Prabal Khaund is the vice president of Chalachitram.

‘Iron Girls’ Awarded at IFFS

‘Iron Girls’ Awarded at IFFS

Assamese feature film “Iron Girl” received a Special Jury Mention in the National Feature Film category at the 10th International Film Festival of Shimla, which took place from August 16th to 18th. The film was written, directed, and produced by Rajen Das, who received the award from the governor of Himachal Pradesh with one of the film’s actors, Jasmin Das.

Rajen Das says, ‘I dedicate the film to all the Deodhani artists of Assam, as the film portrays the tradition of Deodhani dance. I made this film after in-depth research on the subject, which took three years.’

Five films from Assam were showcased at the festival, including “The Last Generation” (documentary) by Prabal Khaund, “Fagu Khele Karunamoi” (documentary) by Utpal Datta, “Pai Tang” (feature) by Prabal Khaund, “The Nellie Story” by Parthajit Baruah, and “Iron Girl.” Rajen Das, Parthajit Baruah, and Utpal Datta represented their films at the festival. The festival was inaugurated by actor Seema Biswas, who also participated in the award ceremony and conducted a master class on acting.

6 awards for Assam at 70th National Film Awards

6 awards for Assam at 70th National Film Awards

Emuthi Puthi, a feature film by Kulanandini Mahanta, has been declared the recipient of the Rajat Kamal Award for best film in the regional language (Assamese).  The film was commercially released and drew attention from the audience in all sections for its novel theme and unique presentation.

Assamese writer Parthiv Dhar received the Swarna Kamal for Best Writing in Cinema for his book Kishor Kumar, which he co-wrote with Anirudh Bhattacharya.

Nabapam Deka’s ‘Sunyata’ short feature under 30 months receives the Best Short Film award. He says- ‘Xunyota – The journey of Xunyota began at the Kolkata International Film Festival. From there, it screened at several Indian festivals before crossing borders to be shown at the Indian Film Festival of Melbourne. And now, as of yesterday, this film has brought home the National Award for Best Film. This film has completed a successful journey far beyond our imagination. In this moment, I want to extend my sincere thanks to my incredible team. Without your selfless contributions, none of this would have been possible.’

In the category of Best Feature Film in Each of the Language Other Than Those Specified In the Schedule VIII of the Constitution Dr. Bobby Sharma Baruah’s ‘Sikaichal’ won the award for Best Tiwa Film. In the non-feature category, Parthasarathi Mohanta’s documentary ‘Hargila’ and Aimi Barua’s documentary ‘Birubala: Witch to Padma Shri’ won special mention awards.

Pikhash generates heat

Pikhash generates heat

Upcoming filmmakers are attempting to widen the horizon of the content and concept of Assamese film with non-traditional form and content. PIKSHASH, a unique Assamese film, which released last Friday, stands out for its suspense and mystery genre.

Writer-director Amit Rag shares his intense journey with the characters. ‘The emotional journey and pain of Maya, Chaya, Mohit and Danuj were very excruciating indeed. I felt suffocated and stressed. My main aim in this film was to explore the psyche of each of them, and I tried to delve as deeply as possible into the minds of the characters. This challenge was not only during writing the film but also during the shooting, editing and post works. It was tiring and tough for me. But, overall, the experience was quite eye-opening.’

One of the Lead actors, Achinta, says, ‘The character I played in Pikhash is a dream role for any actor. It has the potential and scope to experiment and explore human psychology and behaviour. I am grateful to the director, Amitav Borah (da) and the producers for taking me on board with the project. To be honest. It was not at all easy. The profound scenes required a lot of energy, but what encouraged me was the enthusiasm of our young and energetic team. I am lucky to be a part of this fantastic team. Rest is up to the audience.’

Indrani Gogoi says, ‘I suffered a lot of mental pain while living the life of Chaya. The character I play taught me to be sensitive. If I had suffered so much mentally while playing that character, we wouldn’t even think how many such children are suffering around us.’

Lead actress Jeanette says, ‘Getting cast for such a character, with lots of work, was itself a privilege and equally a significant challenge in the first place. On top of that, it was my debut too. My debut experience with a character that has all the five flavours of sweet, salty, sour, bitter and umami was overall a colourful experience of pleasure, pain, labour & victory. It felt good hearing the applauses at the end of long, intense sequences. And some of the scenes came out great in the very first take. I consider this a significant phase of my career.’

Word of mouth has so far helped the film in attracting a good audience.